
Deana Lawson - Peter Eleey
Deana Lawson
âLawsonâs careful choreography intends to question and expand fixed descriptions at every turn.â ElephantâLawson blends vernacular and art photography in a way that effects a fundamental shift in our perception of the normalised didactics of Western art history.â ArtReviewDeana Lawson, the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawsonâs artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawsonâs photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawsonâs works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawsonâs personal family photographs and archives of vernacular images that have profoundly informed her work.
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Deana Lawson - Peter Eleey
Deana Lawson
âLawsonâs careful choreography intends to question and expand fixed descriptions at every turn.â ElephantâLawson blends vernacular and art photography in a way that effects a fundamental shift in our perception of the normalised didactics of Western art history.â ArtReviewDeana Lawson, the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawsonâs artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawsonâs photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawsonâs works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawsonâs personal family photographs and archives of vernacular images that have profoundly informed her work.
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Deana Lawson
âLawsonâs careful choreography intends to question and expand fixed descriptions at every turn.â ElephantâLawson blends vernacular and art photography in a way that effects a fundamental shift in our perception of the normalised didactics of Western art history.â ArtReviewDeana Lawson, the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawsonâs artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawsonâs photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawsonâs works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawsonâs personal family photographs and archives of vernacular images that have profoundly informed her work.












